


Rinka Romero-SyCip is a consummate storyteller. She received a 2019 FAMAS nod for the screenplay for Para sa Brokenhearted (For the Brokenhearted), which made it to the Top 10 Netflix charts.She is a seasoned producer of over 10 years, taking on everything from music videos to commercial work. Possibly due to the fact she is a third-culture kid, she instinctively takes stories and makes them translate better, on the page, or on the screen.She wrote and directed a short film on the UP Men’s Basketball Team entitled “Play Hungry” which was funded by Amsterdam streaming platform WaterBear Network.As a freelance Creative Director, she recently shaped the Philippine leg of a global campaign under the New York headquarters of M&C Saatchi and SS+K, working alongside creatives from the legendary Obama campaign. Her ability to blend cultural nuance with bold vision shines through in every project.Selected for the Sundance Co//Labs Directing Actors Certificate Program, she trained under Hollywood’s “secret weapon,” Lisa Robertson, known for her work with Alexis Bledel on The Handmaid’s Tale. Ikawalo was her workshop piece for the program.Rinka weaves provocative, human-driven stories, in both long and short form, that bring outsider perspectives to the forefront.
WORK

Play Hungry is a documentary on Basketball in the Philippines. It touches on the irony that not every barangay has a basketball court, but not every barangay has access to running water. It features the remarkable underdog victory story of the state university's basketball team. When asked by patrons why they were not winning games, they said "Sir, we're hungry". They were literally playing hungry. (2023)
This is one of 8 videos we shot for Los Angeles-based client LED Esthetics. Shot with creative agency Paperboat CreativeShot in 4x5 format for socials!
On Trust is a spot that I wrote and directed for Electrolux. This is the second of three videos we’ve shot featuring brand ambassador Rajo Laurel over the years.
The Greatest Plot Twist is a short animated film which I wrote in light of Resurrection Sunday coming out of COVID and the lockdowns.
Come Alive is a short film which came by way of a prophetic vision. I saw women, breaking down, wrestling with lies and labels placed on them.
HousEasy was a concept I wrote and directed in an attempt to break the monotony of the usual real estate ads — likened to people in the malls handing out flyers, and people easily ignoring them. I wanted something that would grab their attention and disrupt the usual

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